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Appaloosa
04:52
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Paso Fino
04:15
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The Buttes
05:03
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Boxelder
05:17
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Lusk
04:38
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Exmoor
04:50
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High Plains Vancouver, British Columbia
High Plains is the duo of Scott Morgan and Mark Bridges. Morgan, based in the Canadian Pacific Northwest, is predominantly known for his drifting, textured soundscapes released under the pseudonym loscil. Bridges resides in Madison, Wisconsin and is the Assistant Principal Cellist of the Madison Symphony Orchestra. Their debut album, Cinderland, was released by kranky in 2017. ... more
If you like High Plains, you may also like:
Faults, Coasts, Lines
by loscil
supported by 111 fans who also own “Pilot Hill”
This is so restrained and tasteful - I love it. It really reminds me of being in nature.
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supported by 100 fans who also own “Pilot Hill”
This is on the more minimal side of ambient for loscil, but the weight of suns is still present in these five simmering, sometimes shimmering, tracks.
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supported by 93 fans who also own “Pilot Hill”
The Sails is a sonic journey that takes the listener from the familiar to the alien and keeps your foot tapping the whole way. Rhythm is driven by layers of bass, synths and samples often without a drum track. Give Still a listen, a glorious riot to take your ears on an adventure. Also, who else is writing 9 minutes long tracks any more? @mohlers pick for best of 22
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The End of Medicine (Original Score)
by Aaron Martin
Kansas-based cellist and composer constructs stirring string arrangements for Alex Lockwood's documentary on zoonotic diseases.
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The quietly moving songs on “Emanations” showcase the nimble guitar work of Saul Guanipa, each piece warm & melodic.
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French composer Sophie Griffon returns with a collection of songs that bridges the worlds of classical & electronic music.
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supported by 92 fans who also own “Pilot Hill”
Some of Loscil's best work. Here he uses expansive orchestral samples to great effect, but it still has that inscrutable attention to detail that he's deservedly known for. Loscil's music humbly hides the complexity of its composition, within its subtle detail, beckoning the listener to lean into the speaker and become immersed. Despite that, it is not disruptive in the background.
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